What does bode well, though, is Landis’ creative twist on the standard “hot-mess-of-a-girl falls for irresistible coldblooded assassin” narrative: Rockwell isn’t your run-of-the-mill hitman. And then you kill people.” It doesn’t help that the music is trying desperately to telegraph the fact that these lines are meant to be jokes.
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Kendrick refers to herself as “Suckball McGee.” Rockwell, his hands full of condoms, remarks, “That’s a lot of condoms.” Kendrick, when she finds out what Rockwell does for a living: “You’re like, the greatest. That whole clagging-portions-of-cheese thing is evident right off the bat. Right‘s first trailer doesn’t inspire much optimism, either. Right ends up all wrong.” Variety was a bit kinder: “Despite wildly uneven sound mixing, with its bright colors, buoyant pop tunes and lickety-split pacing, the whole experience is almost suffocatingly fun, especially for those who believe Kendrick and Rockwell would make a killer couple.” The Guardian, which dismissed the film’s premise as “derivative,” called the leads’ chemistry “uneasy,” thanks to their 16-year age difference, and referred to the writing as “deep-fried cheese served in giant, clagging portions.” Indiewire essentially hated it as well, writing, “Thanks to deplorable direction by Paco Cabezas, and a childishly broad screenplay by Max Landis, Mr.
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The “hitman comedy,” which follows Anna Kendrick’s “full-on manic” Martha as she falls for professional human-killer Francis (Sam Rockwell), drew mixed reviews after premiering at last year’s TIFF.
Right, doesn’t exactly appear primed for greatness, either. The writer’s last two films - American Ultra and Victor Frankenstein - were both critical and box-office bombs, and his latest, Mr. You may have to select a menu option or click a button.Can somebody check on Max Landis? Dude hasn’t had the best of luck lately.
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